Essay On Dance With Wolf

An idealistic Union soldier with a romantic dream of the fast-vanishing frontier is rewarded for an act of heroic gallantry in the Civil War with the posting of his request, a remote fort in the Dakotas. There he is befriended by a tribe of the Lakota Sioux and goes native, only to be caught up in the encroachment of the white man, seeing the twilight fall on the great horse culture of the Plains.

Kevin Costner's directorial debut was ambitious, epic and, most worryingly, a western — chunks of it actually in Lakota Sioux with English subtitles — at a time when only Clint Eastwood was daring the unfashionable grand old genre with any success. Industry wags gleefully predicting disaster dubbed it "Kevin's Gate". Costner had the last laugh in a personal, artistic and commercial triumph when it rode away with seven Oscars, including Best Picture and Director. It was the first western to win Best Picture since Cimarron (1931).

Dances With Wolves is a captivating adventure and wistful elegy that sprung from a fascination Costner and his buddy, writer Michael Blake, shared with an entire Baby Boomer generation who grew up with the cavalry and Indians in Saturday matinees and on primetime TV but were later affected by the 60s-born movements for Native American rights and the environment. Its South Dakota locations and exciting action sequences were ideally suited to Australian cinematographer Dean Semler's talents, the Mad Max veteran at home with both awesome landscapes and rootin' tootin' action. Together they created a lyrical, warmly evocative prairie odyssey which refuses to stint on rich detail, as in the time and space given to Dunbar's strange journey to the abandoned fort and his introduction to the Indians — by stages his terror, curiosity and notions of formal diplomacy giving way to his complete captivation by his feather-decked neighbours and their way of life.

As director Costner was sufficiently savvy to take lingering elegiac, mystical, sentimental, comic or romantic chapters in Dunbar's story to a series of vivid action climaxes. The film draws you in from the outset on a Tennessee battlefield with wounded Lt. John J. Dunbar, courting death, galloping straight across a line of Confederate riflemen, finishing his wild ride on trusty steed Cisco unscathed. And he does it again, his arms outstretched in a sacrificial attitude, unwittingly inspiring a Union rout of the Southerners and becoming "a living hero". Conventional Indian attacks are largely avoided since the film is specifically a love affair with "The People", portrayed as proud, quick and humorous: "I had never known a people so eager to laugh, so devoted to family, so dedicated to each other. And the only word that came to mind was harmony."

McDonnell's Stands With A Fist remembers in a flashback the massacre on her family's homestead. The muleteer is slaughtered by a Pawnee hunting party looking for some action. And Dunbar/Dances With Wolves' ordeal when ultimately he is taken prisoner by an Army detachment is ended by an archetypally whooping band of braves in a gruesome flurry of arrows and tomahawks — with the unique distinction that it is the Indians who are the good guys charging to the rescue and the blue coats who are the savage baddies. Otherwise the most memorable action set pieces are in keeping with the majestic pace of the film. The earth-shaking passing of the buffalo that awakens Dunbar to a dreamlike glimpse of the mighty herd leads to the stately buffalo hunt. Beginning with ritual body painting and horse decorating, building to the gallop into the racing herd, the chase with its whoosh of arrows, whump of spears, cracks of Dunbar's rifle and thuds of crashing buffalo, Dunbar's rescue of the boy Smiles A Lot (Nathan Lee Chasing Horse) from a wounded beast's charge and the eating of its heart is an extraordinary eight-minute sequence that is spectacular but also furthers the story by elaborating the significance of what they are doing.

The same is true of the ferocious Pawnee assault on the village. The Lakota war party away and the raiders spotted, Dances With Wolves casts off Dunbar by giving his Army rifles to his friends and leading the frantic defence: "As I heard my Sioux name being called over and over, I knew for the first time who I really was." A year after its release Costner presented the "special edition" version of Dances With Wolves with nearly an hour of additional material. Almost all of this is seamlessly inserted snippets of dialogue here, a bit more snogging there, and still more ravishing scenery. The most important "new" scene is Dunbar's discover that the Lakota have caught, tortured and slain the ignoble white buffalo hunters. But there if no new major action scene and the added length, while handsome and involving for devotees, does drag the pace. Action fans are likely to be happier with the arguably superior, inarguably likeable, original "short" version.

The story of how he goes native, comes by his special name (capering with the wolf he calls Two Socks) and finds himself is as enchanting a western as ever was.

Undoing Stereotypes In The Movie, Dances With Wolves

Undoing Stereotypes in the Movie, Dances With Wolves

Hollywood has helped create and perpetuate many different stereotypical images of the different races in the world. Those stereotypes still continue to affect the way we think about each other today and many of those stereotypes have been proven to be historically inaccurate. The movie Dances With Wolves, directed by actor Kevin Costner, does an excellent job in attempting to promote a greater acceptance, understanding, and sympathy towards Native American culture, instead of supporting the typical stereotype of Native Americans being nothing but brutal, blood thirsty savages.

The film Dances With Wolves focuses mainly on one man named Jon Dunbar and his growing relationship with the Lakota Sioux Indian tribe. The Lakota Sioux Indian tribe migrated in the 1700's to different areas in South Dakota. For over one hundred and sixty years, the Lakota tribe held a massive piece of land in the plains to support their numerous herds of bison, which they also hunted in order to survive. They lived in the typical teepees and were exceptional horsemen, hunters, and warriors. They culture contained no written language and their heritage was trusted upon storytellers and drawings made on the bison hides. One bison hide could represent over fifty years of Lakota history.

The film, Dances With Wolves, was very cleverly written in my opinion. For most of the introduction, before John Dunbar begins to get friendly with the Sioux Indians, you are given an emotional expression of hatred and dislike towards the Native American Indians as they are slowly introduced into the script. There were a few scenes of brutality and savagery that triggered these emotions. For example, there was a scene when the Pawnee Indian tribe attacked a man named Timmons, as he was on his way home from Dunbar's military base. He was first shot with about four or five arrows until he was hanging on to life by a thread and then they scalped him. You then see the Pawnee Indians carrying off their new "trophy", which was a piece of Timmons' head. Another scene was when the camera first introduced the Indians into the movie by focusing in on a human skeleton that had an arrow stuck in the abdomen. Through scenes such as these, we are given an impression that the stereotypes about Indians being savages were indeed true. These ideas are changed as the movie begins to take a 180-degree turn and begins to focus on helping the viewer understand what the Indians were really all about.

The Lakota tribe was very humane and had fairly strong familial bonds. It wasn't easy to be accepted by their tribe at first but once you were accepted then you were considered to be one of the family. In the film, Jon Dunbar tries to make friends with the Lakota Indians but is unsuccessful at first. Being a very persistent and kind hearted man he slowly gains the acceptance of the tribe. The first witness of this is when some tribesmen pay a visit...

Loading: Checking Spelling


Read more

A Glimpse into the Past with "Dances With Wolves"

695 words - 3 pages Dances with Wolves is an epic film made in the year nineteen ninety shot in South Dakota and Wyoming. The film tells the story of a Civil War-era and a United States Army officer, Lieutenant Dunbar who travels to the American frontier to find a military post and befriends a local Sioux tribe. It shows how life was in times of the Civil War. The movie also shows how Indians lived and how they respected everything except the...

Commentary and analysis of "Dances with Wolves".

781 words - 3 pages Dances With WolvesThroughout Dances With Wolves, several of the film's characters develop both spiritually and emotionally. In particular, the main character John Dunbar, develops a great deal spiritually. His growth can be tracked from the beginning to the end of the movie, with a few scenes in between that accentuate his rapid progression. At the beginning of Dances With Wolves, John Dunbar can be considered an undeveloped spiritual...

Dances With Wolves by Michael Blake

1792 words - 7 pages Dances With Wolves by Michael Blake is a novel that covers the topics of cross-culture, equality and respect. It also shows me the history of modern America. Reading this novel is a great adventure to me. Through years of getting ready, Michael Blake spent nine months on writing the book and got it done in 1981. The story happens in 1863, when US civil war was in ongoing. Knowing the potential amputation of his wounded leg, Union Army Officer...

Historical Evaluatino of "Dances With Wolves" by Michael Blake

1369 words - 5 pages Dances With Wolves, by Michael Blake, creates a remarkable story of a soldier named Lieutenant Dunbar. This story is written in third person, and has diary entries of lieutenant Dunbar in them. The story...

"Dances With Wolves" Analysis - Illustrate how Native-Americans & Native-American culture is represented in this film differently than in usual media presentations.

563 words - 2 pages The misguided portrayals of Native Americans in the media can be retraced back to outdated Western films. These films had the reoccurring theme of Cowboys versus Indians. Native Americans have been portrayed as thieving, violent, lazy, hostile, uncivilized savages. The White man thought the Natives were undeserving of the lands riches, when in fact their...

Close analysis of Text Dances with Wolves directed by Kevin Costner

831 words - 3 pages 'Dances with Wolves' is a movie of the journey of one man's life and dreams. In this movie the lead character ventures on an epic journey of the body and mind. He was a soldier sent to an abandoned post...

Should the Wolves Stay in Yellowstone National Park?

2018 words - 8 pages Should the Wolves Stay in Yellowstone National Park? National Parks are the cornerstone of every country because it preserves the rich cultural and natural resources of a nation, such as Yellowstone in the United States of America. Yellowstone National Park is the World’s First National Park which brings millions of attraction each year, it is larger than Rhode Island and Delaware combine and have over a thousand species of plants and animal...

Asian Stereotypes in the Media

1382 words - 6 pages “Family Guy” and its Asian Stereotypes “Family Guy” is well known to be a cartoon of disgrace and ill-mannered portrayals of real life events. Asian Stereotype was no exception portrayals in “Family Guy”. In many of the Asian stereotypical scenes in “Family Guy”, one of the episodes shows a scene about an Asian woman driver causing wreckage on the freeway as she exits out of the freeway itself. The following is a dialogue of the scene: ASIAN...

Muslim Stereotypes in the Media

674 words - 3 pages The media over exaggerates their representation of the Muslim population portraying them as violent terrorists and a threat to most nations/countries. Stereotypes abound in any and every form of media we can listen to, read, or watch today. Stereotypes create recognition in people and stir emotions - from anger to fear, or even empathy....

Gender Roles in Angela Carter's The Company of Wolves

810 words - 3 pages Gender Roles in Angela Carter's The Company of Wolves In her transformation of the well-known fable "Little Red Riding Hood," Angela Carter plays upon the reader's familiarity. By echoing elements of the allegory intended to scare and thus caution young girls, she evokes preconceptions and stereotypes about gender roles. In the traditional tale, Red sticks to "the path," but needs to be rescued from the threatening wolf by a hunter or...

Underclass stereotypes in the media.

563 words - 2 pages STEREOTYPING IN THE MEDIA:A response to Gregory Mantsios' essay Media Magic: Making Class InvisibleFor decades media has helped stratify culture by serving as a means to inform the public of the occurrences that take place in our society. "The

0 thoughts on “Essay On Dance With Wolf”


Leave a Comment

Your email address will not be published. Required fields are marked *